EFFECTS: "Lightning blasts and the faraway cottage darkens, lost to the howl of a dragon’s roar." For Michael Elyanow's play, The Children, produced by Pillsbury House Theatre in 2016, I mixed together the sounds of an alligator breathing, a pig scream, a human, and a leather jacket for the dragon wings.

MUSIC: Original music created for Gremlin Theatre's 2019 production of The Father written by Florian Zeller, and translated by Christopher Hampton. 

EFFECTS: **This track is best listened to with a good pair of headphones or speakers** The Trials of Gertrude Moody, by Kimberly Burke, had its world premiere at the Wellfleet Harbor Actors Theatre in May 2014. The story behind this condensed cue is a primeval forest in New Zealand and an egg waiting to be hatched. Taking the perspective of inside the egg, I layered various native New Zealand birds over a bed of crickets and a Poiawhiowhio - a Maori percussion instrument. Other sounds include a rainstick, ultrasound heartbeat, and underwater bubbles. 

AMBIENCE: Torch Theatre in Minneapolis, MN produced Jeffrey Hatcher's adaptation of The Turn of the Screw in 2012. This track is a compilation of unsettling underscores used throughout the show. 

AMBIENCE: Written by Jessica Huang and produced in 2015 by Mu Performing Arts, Purple Cloud addresses three generations of a Chinese-American family struggling with their multi-racial identity and acculturation. This track underscored a very ritualized and poignant funeral scene that had very little dialogue. 

FIELD RECORDING: Bourbon Street in the French Quarter, New  Orleans, at midnight on a Saturday, March 2013. Recorded with a Tascam DR-100.